{"title": "Video Production in Ice Hockey | Juha Koskela and Jenny Cederqvist | Negotiator 141", "titleOriginal": "Videokuvaus jääkiekossa | Juha Koskela Jenny Cederqvist | Neuvottelija 141", "episodeNumber": "141", "guest": "Juha Koskela, Jenny Cederqvist", "publishedAt": "2022-06-12", "duration": "46:21", "durationIso": "PT46M21S", "youtube": "https://www.youtube.com/watch?v=-DVkRAN5wIE", "fiCanonical": "https://www.neuvottelija.fi/fi/episodes/193-videokuvaus-jaakiekossa-juha-koskela-jenny-cederqvist-neuvot", "originalLanguage": "fi", "format": "full", "topics": ["ai_enterprise_tech", "saas_software"], "description": "How do the ice hockey World Championships, harness racing and an IPO investor event get onto a screen, when the fibre can be cut by hybrid interference and more than 90 per cent of productions are made remotely? Jenny Cederqvist, who heads Flik, owned by Inderes, and Juha Koskela, founder of a production company that grew from harness racing into Liiga television, open up the backstage of professional broadcasting. They weigh whether 4K is really needed or whether high dynamic range, colour reproduction and frame rate are what matter, and why 5.1 audio had to be bent back towards mono.", "chapters": [{"t": "00:00", "title": "Intro", "seconds": 0}, {"t": "00:28", "title": "Jenny's background: FLIK Helsinki and the Inderes IPO, Navigare TV, and coding including TEAL", "seconds": 28}, {"t": "02:09", "title": "Juha's background: Suora Broadcast, harness racing, Liiga hockey and Ylivieska", "seconds": 129}, {"t": "04:08", "title": "Filming the Lions' home championships and the Olympic gold from China, produced remotely from Pasila and Copenhagen — and how a hybrid strike mid-tournament would have been countered with backup routing", "seconds": 248}, {"t": "08:56", "title": "Producing Norrhydro's share offering from FLIK Helsinki's Sanomatalo studio with POI 4K cameras, and running hybrid events and interaction through Videosync", "seconds": 536}, {"t": "13:00", "title": "Bringing live productions to life with AR and VR; the arrival of the metaverse and its communities, and their problems; how Suora Broadcast reached carbon neutrality by producing remotely; the limits of virtual studios, enlivening a broadcast with data, and AI in sport, entertainment and business; machine-to-machine communication", "seconds": 780}, {"t": "32:11", "title": "Storytelling and solutions to the talking-head problem; Kahoot and other interactions; in a hybrid event the online audience needs more attention than the one in the room", "seconds": 1931}, {"t": "37:20", "title": "The metaverse and avatars: can Microsoft, Meta and Epic/Unreal succeed at collaborative tools and join game worlds to linear television; rising delivery reliability; AR, VR and the metaverse", "seconds": 2240}], "sourceTranscriptType": "none", "subtitleMethod": "none", "provenance": "Owner page assembled from YouTube metadata, the neuvottelija.fi episode record and the publisher's own chapter marks, translated one for one. The marks are genuine: eight of them, with gaps from 28 to over 1100 seconds, tracking the recording rather than a grid; the last one's Finnish text carries a stray 46:22 prefix that does not match its own position, and it has been dropped in translation because the mark's own timestamp is what is published. No transcript is published here — the channel has no English caption track for this episode and the Finnish one is YouTube's automatic track. Both guests run production businesses and the episode discusses their own work; one of the productions described is the Norrhydro share offering, whose issuer appears as a guest in EP136 of this same programme.", "coreTheses": ["Over ninety per cent of production is now remote, which turns a broadcast into a network engineering problem as much as a camera one.", "The contingency planning for a cut fibre during a home tournament is the concrete answer to what hybrid interference means for live television.", "4K is the specification people ask for; dynamic range, colour and frame rate are what actually change what the viewer sees.", "In a hybrid event the online audience needs more attention than the one in the room, which inverts how such events are usually staffed."], "slug": "ep141-videokuvaus-jaakiekossa-koskela-cederqvist", "guestsCanonical": ["Juha Koskela", "Jenny Cederqvist"], "guestPages": ["https://www.neuvottelija.com/podcast/guests/juha-koskela/", "https://www.neuvottelija.com/podcast/guests/jenny-cederqvist/"], "page": "https://www.neuvottelija.com/podcast/episodes/ep141-videokuvaus-jaakiekossa-koskela-cederqvist/", "markdown": "https://www.neuvottelija.com/podcast/episodes/ep141-videokuvaus-jaakiekossa-koskela-cederqvist/index.md", "captions": null, "transcript": null, "videoId": "-DVkRAN5wIE", "dbId": null, "qaCoveragePct": 0.0, "qaSemanticVerdict": "metadata_only", "aiArticleEn": "https://www.neuvottelija.com/ai/ep141-videokuvaus-jaakiekossa-koskela-cederqvist/", "aiArticleFi": "https://www.neuvottelija.fi/tools/ep141-videokuvaus-jaakiekossa-koskela-cederqvist/"}